PERFORMANCE RESEARCH

Petrified? Some thoughts on practical research and dance historiography

Kate Elswit

In Vol.13, n°1

Privacy in accordance with BADco's memories are made of this

Marten Spangberg

In Vol.13, n°1

(sans titre)

In Vol.13, n°1

the choreography of singularity and difference. And then by Eszter Salamon

Ana Vujanovic

In Vol.13, n°1

the choreography of the pedestrian

Elizabeth Dempster

In Vol.13, n°1

the making of... Production and practice of the self in choreography: the case of Vera Mantero and Guests

Bojana Bauer

In Vol.13, n°1

the movement of embodied thought. the representational game of the stage zero of signification in Jerome Bel

Una Bauer

In Vol.13, n°1

this side of the gathering. the movement of acting collectively: Ligna's radioballett

Kai Van Eikels

In Vol.13, n°1

Troika Ranch: making new connections. A Demeuzian approach to performance and Technology

Susan Broadhurst

In Vol.13, n°1

Vol.13, n°1

Where is the space of choreography

Eleonor Bowen

In Vol.13, n°1

Editorial

Myron Beasley

In Vol.12 n°3. On Blackness/Diaspora

Notes towards a performance theory of orature

In Vol.12 n°3. On Blackness/Diaspora

Vol.12 n°3. On Blackness/Diaspora

12,2. On the road

Choreographies of Tourism in Yosemite Valley rethinking place in terms of motility

Sally Ann Ness

In 12,2. On the road

Dance travels walking with pearl

Rebekah J. Kowal

In 12,2. On the road

Getting lost. Site-specific performance and re-location

Victoria Hunter

In 12,2. On the road

12,1. On Beckett

Abject bodies. Beckett, Orlan, Stelarc and the politics of contemporary performance

Kathy Smith

In 12,1. On Beckett

ABQ. From Quad to Zero. Mathemetical and choreographic processes - between number and not number

Alessandro Carboni

In 12,1. On Beckett

After the fall. the performing art of Samuel Beckett and Bas Jan Ader

Judith Wilkinson

In 12,1. On Beckett

A phantom in contemporary european choreography. What is Beckett doing to us dance-makers? Can we do something for him in return? or, a series of realizations, three instances and one afterthought

Efrosini Protopapa

In 12,1. On Beckett