ACCORDS
In Accords, the dancers "graft" themselves onto existing pieces of music by playing their bodies as instruments and the music "becomes visible" through a complex network of individual and supra-individual actions and reactions. The spectator might think that he or she is watching a choreography written to music. However, the process of creating movement here is radically different. It is a "democratic" process, based on individual freedom and permanent attention to the other. A process that aims to achieve a choreographic complexity beyond that of a written piece. Thomas Hauert bets on the intuitive intelligence of the body and the group.